Forthcoming
Published
“Convos with My Brother” and “Ghost Bread” in The Summerset Review Winter 2025
“The Last Straw” in Poetry South 2024 (Print Only)
“College Roommates,” “Violin,” and “The Reconciliation of Butterflies” in The Sunlight Press Mar 31, 2024
“Childhood of the Half-Deaf” in Orange Blossom Review Issue 10, Summer 2023
“Keeping Score” in Literary Mama January/February 2024
“The Relics We Carry” in On the Seawall in March 5, 2024
“At the Bar,” “The Vacancy Chain,” and “Elegy for the Complicated” in Boulevard (Print Only). Boulevard Vol. 38, Nos. 1 & 2 (Spring 2023)
“Best Seats in the House” anthologized in A Body You Talk To: An Anthology of Contemporary Disability edited by Tennison S. Black
“Ode to My Fairy-tale Godmother at 70” and “Space Lettuce” in Unbroken #37 (under “Persistence”)
“Ode to the Sunflowers on Pole Line Rd.“ in Impossible Archetype Issue 13, April 2023
“Broody Hen” in Mom Egg Review Vol. 21 (Print Only)
“Manchester, 1950s” in Schuylkill Valley Journal (Print Only)
“Lyrics for the Half-Deaf” in Typehouse Literary Review, Vol. 9, No. 3, Issue 26 (Print Only)
“Perpetual Motion” in Comstock Review Spring/Summer 2022 (Print Only)
“In The Florida Marsh“ in The Blue Mountain Review, Issue 25, July 2022
“Christmas Card” in South Florida Poetry Journal
“Trashed” in SWWIM Every Day May 2022
“May There Always Be May” and “Hummingbird“ in Monterey Poetry Review, Spring Issue 2022
“Hereafter” in San Pedro River Review, Vol. 14 No. 1 Spring 2022 (Print Only)
“New Dad” in California Quarterly, Vol. 47, No. 4, Winter 2021 (Print Only)
“Mother-in-law” in Lavender Review, December 2021. The link to the poem also includes a video.
“Restoration” in ONE ART: a journal of poetry, November 12, 2021
“Duplex: Inheritance” in The New Verse News, October 31, 2021
“For the Danny I Denied,”* “Rainbow Brother,” and “After Dinner on a Thursday While Kids Play Video Games” in Limp Wrist Magazine. *”For the Danny I Denied” was selected by Dorianne Laux as an honorable mention for Limp Wrist‘s 2021 Glitter Bomb Award.
No animals were harmed in the production of these poems.
Danielle Lemay 